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Loudspeakers: For music recording and reproduction, by Philip Newell, Keith Holland
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Need advice on which type of speaker to use and where? Very often the choice and positioning of loudspeakers is down to intuition, hearsay and chance. This practical guide explores the link between experience and the technology, giving you a better understanding of the tools you are using and why, leading to greatly improved results.
Newell and Holland share years of experience in the design, application and use of loudspeakers for recording and reproducing music. Get practical advice on the applications of different loudspeakers to the different phases of the music recording and reproduction chain.
If you are using loudspeakers in a recording studio, mastering facility, broadcasting studio, film post production facility, home or musician's studio, or you inspire to improve your music reproduction system this book will help you make the right decisions.
- Sales Rank: #534117 in Books
- Published on: 2006-10-05
- Original language: English
- Number of items: 1
- Dimensions: 9.21" h x .94" w x 6.14" l, 1.75 pounds
- Binding: Hardcover
- 422 pages
About the Author
PHILIP NEWELL (Author) International consultant on acoustic design, former technical director of Virgin Records. Has over 30 years experience in the recording industry and has been involved in the design of over 200 studios, including the famous Manor and Townhouse Studios. He is also author of Project Studios, Recording Spaces and Studio Monitoring Design, all published by Focal Press.
Most helpful customer reviews
0 of 0 people found the following review helpful.
a bit advanced for me, but i can always read it again after some practical learning and experience
By PaulB Karaoke
A bit too expert for me, but I know i can always go back and use the expert stuff as a reference.
14 of 16 people found the following review helpful.
Essential reading for audio afficionados
By Alberto Vargas
I approach this book as an audiophile interested in getting more educated about the science and principles of loudspeaker design and behavior. It is truly excellent for that. I have no intent to design my own loudspeakers or become an acoustics expert, and the book is written well for such a non-professional audience.
The book is mostly geared towards recording engineers for whom loudspeakers are essential tools of the trade, but who normally do not have a solid grasp of the physics and engineering of loudspeakers. Unlike many other books and articles on speakers, there are few equations and formulas here. The language is easy to follow, and there are plenty of illustrations and charts to help you understand.
There is sort of a religious debate in the high end audio community between subjectivists (trust only your ears, any part of the sound system matters a lot) and objectivists (everything is measurable, and all competently designed components sound similar). This book sheds light in both directions and shows where they fall short.
Some of the more controversial and interesting bits of the book are about how amplifiers can sound different, and how cables can change the sound depending on amplifier and speaker design. There apparently has been some scientific research on this. The amplifier-cable-crossover-driver system is apparently very complex, and certain designs are much more idiosyncratic to the point where small changes (e.g. different cable) can make an audible and measurable difference.
There are references to a bunch of other books and articles if you want to dig deeper. The authors refer a lot to Floyd Toole's articles and his recent book on acoustics which I recently read and reviewed on Amazon: Sound Reproduction: The Acoustics and Psychoacoustics of Loudspeakers and Rooms which is also recommended reading.
I highly recommend this book to all serious audio enthusiasts!
16 of 16 people found the following review helpful.
Review of Loudspeakers For Music Recording and Reproduction
By Glenn Leembruggen
"Loudspeakers For Music Recording and Reproduction" is simply excellent. Philip Newell and Keith Holland have produced a comprehensive book that discusses many issues that are not covered in other books.
Whilst giving insights into the behaviour of loudspeaker transducers and systems, it also gives an understanding of the broader issues that underpin the design of loudspeaker systems and the qualities of the sound that they produce. The book is sufficiently comprehensive and detailed to be deemed a reference text, but it is written in such a readable way that it gives the reader an excellent grasp of the complex processes that govern how electrical energy is converted to sound at the listeners ears.
Newell and Holland deal with parameters that are directly associated with loudspeaker systems; amplifiers, cables, transducers, crossovers, enclosures, location relative to room boundaries, room acoustics and some psycho-acoustics.
This is not a cookbook giving design instructions or equations; this information can be found in many other texts and technical papers. The book's strength is its discussion of the technical factors that affect the quality of sound heard by the listener; this information is not readily found is such depth. It gives the reader a good handle on the things that really matter in the electro-acoustic and acoustic domains of sound reproduction.
Newell and Holland have conducted extensive research over the years into loudspeaker responses and room acoustics and have an excellent ability to bust audio myths with technical arguments that are grounded in real world application. They are regular presenters at academic and professional conferences, and this book contains a great deal of their work.
Noteworthy is the extensive discussion on their recent research on the audibility of phase delay and loss of modulation at low frequencies due to the loudspeaker's low frequency alignment and room acoustic properties.
I whole-heartedly endorse this book, and recommend it both to serious scholars of loudspeaker systems and to others who desire an enjoyable read about state of the art thinking about loudspeaker reproduction.
It is certainly part of my library.
Glenn Leembruggen
Principal
Acoustic Directions
Consultants in Acoustics Australia
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