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Subway Art, by Henry Chalfant, Martha Cooper
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“Many of the images are today iconic masterpieces. . . . One of the most influential art books of its time.” ―The Big Issue
In 1984 the groundbreaking Subway Art brought graffiti to the world, presenting stunning photographic documentation of the burgeoning movement in New York. Thirty years later, this bible of street art has been updated with over seventy photographs not included in the original edition and new insights on an incredibly rich period for urban art and its legacy.In new introductions, authors Martha Cooper and Henry Chalfant recall how they gained entry into the New York City graffiti community in the 1970s and 1980s. New afterwords continue the story, tracing the decline of the subway and graffiti scene in the late 1980s to its unexpected rebirth as a global art movement. The authors reveal how the lives of the original subway artists have unfolded and mourn the loss of several to the darker forces of the street. 153 color illustrations
- Sales Rank: #117632 in Books
- Published on: 2016-01-11
- Original language: English
- Number of items: 1
- Dimensions: 13.30" h x .40" w x 9.30" l, .84 pounds
- Binding: Paperback
- 128 pages
Review
“In 1984, Subway Art presented stunning photos of the burgeoning street art movement and the artists who created it. More than 30 years later, this reissue includes over 70 photographs not featured in the original edition and new introductions by both photographers.” (Library Journal)
“Time has not diminished the book’s beauty. The chance to view so many classic pieces at an increased size is almost as exciting as the inclusion of more than 70 previously unpublished photographs. The bible of the New York graffiti movement.” (The Washington Post)
About the Author
Henry Chalfant is a photographer and videographer most notable for his work on graffiti, breakdance, and hip-hop culture.
Martha Cooper is a New-York based photojournalist.
Most helpful customer reviews
29 of 31 people found the following review helpful.
Essential and important
By A Customer
The epitome of classic NYC graffiti, Subway Art has become the veritable Bible for this particular subculture that has exploded around the United States, and also the world ( just to name a few: Germany, Iceland, Denmark, Amsterdam, France, and Japan ). Contained herein are the masterpeices by the Kings of the Line, Dondi ( R.I.P. ), Blade, Lee, Kase, Seen, Lady Pink and a host of others. The pictures are large and there are some fold-outs, capturing the SIZE and LENGTH of what are basically moving steel masterpeices. There is a brief line or two about tags and throw-ups, but the book concentrates more on top-to-bottoms, window-to-bottoms, and whole cars. What is important about this book is its documentation of an up and coming subculture that basically gave a big EFF YOU to an environment that was comparable to some 3rd world countries by creating an art that was not only dangerous ( in its execution ), but creative, and beautiful. The message that "we are here, and WE SHALL BOMB", in SPITE of Transit Authoriy and the indifferent system which placed them there is characteristic of adversity which spawns creativity ( the same adversity that created Hip-Hop ) . An important peice of work, and a must for art afficiandos and graf & hip-hop heads alike.
16 of 16 people found the following review helpful.
Here we go again.
By J.SON
There is no debating that the original printing of Subway Art , globalized the graffiti movement , giving our friends across the pond a detailed blueprint for letter forms, fresh from NYC's subway lines. In 2009 , there are a plethora of European spray paint companies catering to graffiti with an array of colors named after prominent artists in the culture. The period chronicled in this book (early 80's) is the most well-documented and some of the pieces are breath-takingly beautiful. The photography of Cooper, a pro and Chalfant , an amateur indistinguishable from a pro, show that two distinct styles can indeed co-exist with one another, despite Cap's words to the contrary. (Inside joke!)
The portraits of people are perhaps the strongest of the added material not included in the original version. Full page photos of Kase 2 with a menacing stare, a young Duster and Lizzie and a bat-wielding Dezzy Dez patrolling the 3 yard capture the era magnificently.
Several artists got added play in this new version of the old book and for the most it was the usual suspects (people who were down with Henry and Martha), giving a few of them a disproportionate amount of exposure versus their impact on this culture- a minor flaw, an oblivious public won't care about.
The book is physically huge and there are fold-outs of whole cars . Mitch 77 gets some long overdue love, as does one of the unsung heroes of the peace-loving , Central park bandshell- based version of RTW--RASTA.
Martha Cooper once ventured into the Esplanade Tunnel lay-up with Cap, Seen and myself to shoot action shots of a whole car in 1982. Damn! A quarter century went by fast.
She had huge stones to venture into the tunnel during that time period and although I don't endorse her Hip-Hop version of graff, I give her a lot of respect for that. Henry Chalfant has always been a class act and friend to the movement. If the old version of this book is considered "The Graff Bible", then this is definitely The New Testament.
8 of 8 people found the following review helpful.
10 out of 10 no doubt
By A Customer
this book along with spraycan art,getting up,stylewars,wild style,beat street,countless video clips & so on started the world wide graffiti and hip hop culture. when i first got this book seven years ago ive spent a good 20 hours studying it. this book is well known as the most stolen book in the u.k from the set of two " graff bibles " spraycan art being the other one if you don't have this book and you like old school ny trains from where it all started you really need to get this book MUST BUY.
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